Archive for the ‘Tunes’ Category

New ways to blow it

Written by

The Gromble – Toto

She wasn’t quite sure when it started. All she knew is that one balmy night in the car she became aware that Fred was unnervingly comfortable touching her stomach.

The aircon was on to combat the sticky heat. He made some half-assed joke about babies while driving and reached over to pat her belly, where one would grow if, God forbid, she became pregnant. She pushed his arm away as quickly as she could, but he kept chuckling.

That wasn’t the first time either. It had been happening relatively frequently recently. Once, when she’d made an off-the-cuff joke about her protruding beer-belly, he’d viewed that as an invitation to palm her bulging shirt. Another time he had playfully punched her in the gut. Each time she pushed his arms away and told him not to touch her, and each time he laughed her protests off.

They weren’t dating. It wasn’t that. She knew he was harmless enough. It just felt like an invasion of personal space that she couldn’t convey was inappropriate. She wasn’t even exactly sure why it bothered her quite so much.

The slight she felt was undeniable, however. Each time, she instantly shut down in the conversation and could feel the pressed area tingle with lingering regret. She felt dirty. Which didn’t seem fair, since he was a friend and no one else seemed to ever care, but it was how she felt.

So she examined her motives. It was possible she merely felt tender there, her soft underbelly, directly between and so close in proximity to her breasts and vagina, and didn’t necessarily want to be touched there in public, even in friendly conversation, by anyone, be it Fred or a boyfriend or a mother. Some added weight in recent months surely didn’t help. That point seemed to hold some validity, but felt insufficient. Hypothesis No. 2: She had noticed, through the years, that often how she reacted to touch told her how she really felt about someone — occasionally, an instinctive recoil at the benign arm brush of someone she had previously thought she liked would underline that the relationship had been superficial and that some issue, an unwillingness of the supposed friend to show a softer side or mercy even in tougher situations for instance, would forever prevent her from truly caring about the supposed friend — and maybe her overboard emotional reaction to Fred’s contact with her stomach was her own psyche’s way of revealing her own feelings to herself, not about the touch, but about Fred himself. It was true that she’d always felt some disconnect with Fred, that, as much as she appreciated his perpetually upbeat spirit and overwhelming willingness to prioritize friendship above other important parts of life, deep down she knew the two of them would always approach life with an intrinsic, irreparable difference.

She spent a long time trying to drum up Hypothesis No. 3, because, without it, she was left with the unconvincing first guess, which she knew to be incomplete, and the cruel Hypothesis No. 2, which she wasn’t ready to fully embrace.

When she spent time exploring other reasons, her thoughts usually turned to one of two exercises. One, she would try to imagine if she would have the same reaction to others touching her belly. She couldn’t remember offhand if anyone else ever had, but was sure that at some point in her life someone must have felt her stomach, at least incidentally. Did the fact that it hadn’t imprinted her memory enough to recall now mean that it hadn’t bothered her? Or were circumstances significantly different enough to negate its impact and emotional reaction?

This exercise always frustrated her on two levels. Firstly, she couldn’t imagine her emotional reaction to anyone else touching her belly, a close girlfriend, say, because the unexpected severity of the reaction was what had so startled her and caused all this fretting in the first place. She couldn’t have predicted her reaction to Fred’s touch beforehand either, so mental experiments wouldn’t work. Secondly, she couldn’t replicate the situation with another, closer, friend, because the invitation to touch her belly would release the barrier she felt had been so crudely bashed aside by Fred. It was like the difference between her laboriously rubbing herself in the shower in an attempt to get off versus the magic and tingle and exhilaration and euphoria of someone else’s hand down the front of her pants.

The second exercise she fell back into was trying to figure out how to make Fred stop. She’d pushed his arm away consistently as quickly as she could. She had never laughed with him. She’d told him, immediately after each incident, not to touch her. And she’d fairly obviously shut down in the conversation each time.

She was extremely non-confrontational, but that wasn’t it. She felt silly. Despite being convinced of, if not the validity, then at least the accurateness and acuteness of her feelings, it seemed spurious and pitiful to address the issue separately, as in, to bring it up in a one-on-one conversation as something that needed addressed. She couldn’t even imagine how he’d react to a direct confrontation because she couldn’t imagine herself ever doing that. It wasn’t like this was happening incessantly. It was maybe once every handful of times they hung out – sparsely enough to hope the most recent time was the last and that if she just approached each situation perfectly it would never repeat itself. Furthermore, it sometimes seemed to her, given the intensity of her emotional response combined with her fully acknowledged unwillingness to confront him directly about it, that perhaps a suitable solution was to never hang out with Fred again. If he was never in the same room as her, he’d have an awfully difficult time patting her stomach.

Even considering ending the relationship of course made her think that it was an issue worth confronting him about. But wait, the non-confrontational or the malicious part of her brain (she couldn’t tell which) countered: If the whole issue is that you deep-down don’t like him on some basic human level, then is that a relationship worth keeping at all, let along engaging in scary confrontation over? In this case, the easy road might turn out the best road too.

Of course, the easier road turned out to be the wrong road a statistically staggeringly amount of the time, and so she debated back and forth. Eventually all her interior conflict, exacerbated whenever she was around him, gave her a distant, moody demeanor around him, and the mental shift caused a tangible separation in their friendship, and they drifted apart. Plus he moved 45 minutes further away. Plus she started working out at the gym and that cut into a lot of the time they used to hang out. It was a lot of things. Whatever the reasons, they stopped hanging out as much, until it wasn’t at all, and then some months went by.

They ran into each other in a Ralph’s and he said “hey there” and she said “omigosh” and they hugged and she felt comfortable enough doing that.

[grombgrombgromb]

I’m a fucking walking paradox

Written by

Tyler, The Creator – Yonkers

If you’re sitting there, thumbing through the dated magazines on your desk and refreshing bookmarks waiting for something new to finagle your attention away from the slow burning nothingness, then you’re falling apart. You’re a fucking maggot, split in two, writhing on the floor leaving trails of residue on the carpet, watching your entrails seep between the fibers of the threads of fabric desert that go on around you.

Your last thoughts are of what? All the shitty scenes you’ve seen, all the garbage you’ve consumed, all the pelting pellets of rain and the blinding sun, all the bass-cum-concrete pound of sneakers on the pavement?

You’re a goddam maggot, born in shit and writhing in carpet.

“They don’t know me; they don’t get it,” Tyler said of critics. “Weren’t they eighteen years old at some point, just having fun?”

Is that all Tyler is doing? [Goblin.]

Widen yourself ever so slightly, please.

Written by

Purity Ring – Lofticries

Megan James gives the creep of “Lofticries” flashes of a warmer depth. Whale-dance synth guards otherworldly vocals at a pacing similar to a headache and its resounding confirmation of circulation’s surging birth and plundering death. It dips and dives in repeated bursts that freshen upon constant reprise, and radiates like the dazzle of sun-hit sight. “Lofticries” is an icescape, sharply textured, hazed only by hailstone beats and lullaby strains, peaked by words so enticing: “your precious, fractured skull”, “use your oily fingers”, and “trembling thighs”.

[PURITY-RING. Matt Pasquarello, you are the artist above.]

Oh my life is changing every day in every possible way

Written by

Wang Fei – Dream Lover

The United States – birthplace and home of the American Dream – is supposed to be the land of upward mobility. It’s not. At least not for me.

Within a few hours of landing in Malaysia, I was playing badminton with millionaires and doctors and lawyers. They were better than me.

Last night, an 11pm phone call prompted a bar run to a place called Silk. James had a bottle of Hennessy there he’d previously purchased; they’d sealed it and had it waiting for his return. Wearing sports shorts, I walked into Silk, a club with laser lights flashing and a live band so loud that to communicate we had to scream in each others’ ears.

A waiter named Alvin poured the Hennessy into cups of ice cubes and sloshed complimentary coke on top. He had dyed his hair that reddish blond which is pretty much the only other color Asians can get. He had angular bangs. We gave him a cup and he drank with us. It tasted like syrup; no kick.

James brought drinks to the middle aged men behind us, friends of his mother. The life lesson they had imparted upon him early on in life, he said, was that, when in Thailand, one should always pick the ugliest whore. The prettier the prostitute, the more likely the chance she has or at one point had man-parts.

The second half of the band’s set features some heart-rending ballads. At one point the lead singer holds out his drink to me and we cheers in the air. James says they dedicated the song (a jangly cover of the Carpenters’ Top of the World) to me because it was in English and I’m the only white person in the bar. I drink to that.

There are two girls in the band. A singer with a short light blue skirt and naturally good looks and, in the back, a comely bassist in scuffy sneakers, wrinkled jeans, and a button-down black shirt. Despite the fact that the bassist sucks in her cheeks in an objectively unattractive fashion and despite the strobe lights revealing the bra beneath the singer’s sheer shirt, the bassist will always be more interesting to me than any pretty frontwoman.

As the band launches into a Cantonese version of the Cranberries’ Dreams, we kill the rest of the bottle. Two waitresses come over. One flirts with James, brushing the mole on face and giggling. The other touches my arm and pushes her breasts into me as she yells into my ear. She uses her limited English to indicate that she’s awful thirsty and sure could go for a drink right about now. She wants me to buy beer. I smile drunkenly at her and shake my head.

In the early hours of the morning we strut out the door. I feel like a million bucks. I’m a rock star. I’m a pimp. I’m rich. I’m elite. And, you never know, soon I may very well even get a job. You know, eventually.

[I have no idea where to buy this. Just grab the Passion Pit version and call it a day.]

Confusion

Written by

The Zutons – Confusion

Where have you gone, my Zutons? Where have you been? What might you have seen?

“From day one I led you on.”

Oh, man and your reputable wit. You failed charmer. Pritchard’s double-bass – one quarter of a band so usually drowning in pep – is slavish to the emollience of the song’s tearaway from harshness, certainly as a fighter to the vocal severity of one Even McCabe, a voice prone to a Liverpudlian laden accent that just about avoids creasing (or staining) the almost caressing tones and approachable quality.

The futile balladry of “Confusion” plays out in the slight gambol of a Velvets-scented guitar solo (Reed and his radio pop), atop instrumental drone, serving as a weakened rebuttal to a whimsical moment of saxophone seduction and rare playfulness, even if entirely composed. “Confusion” is potentially endearing, potentially a treat.

[They don’t even have a website.]

Oh, baby, mother me

Written by

Sunset Rubdown – Us Ones in Between (KEXP)

It’s Mother’s Day. The family is out at an expensive Chinese restaurant with a view overlooking the ocean. The fish could practically flop out of the water and into the tanks. The banner along the wall has an English translation underneath which reads: “A Good Place for your Daily Meals and Gathering!”

As each course comes, the two oldest sons, sitting nearest the parents, harry to serve the couple, often reaching over others and generally making a show of their devotion.

Between the arrival of courses, the older brother returns to his own plate, devouring any morsels on it with alacrity. He dismisses his bowl of rice with a wave and concentrates on seafood exclusively, shoveling mouthfuls in and swallowing dangerously quickly. His broad, dumb face concentrates only on the food in front of him, ignoring the conversation swirling around him. Eventually, he will run his father’s powerful and lucrative company into the ground, but for now he’s still blissfully learning the ropes as the Little Boss.

The middle brother spends most of the evening making puns about the flutist and the exhalation of air, gregariously heading up the conversation, his voice perpetually at a volume noticeably too loud for a roofed area. In a handful of months he’ll move back to America to earn a liberal arts degree and delve into a world up drama, art, music, and culture which his family and, frankly, most of his friends don’t really understand. He thinks of himself, despite his personable demeanor, as something of a misunderstood artist. He just hasn’t found his medium yet, or so he tells himself.

The mother wanders off to greet friends (she knows nearly everyone in the restaurant, including the owner) and pick new dishes out as they swim in tanks. She’s generous to a fault. The loudness of the conversation, surely traceable to the mother’s shout-talking, can’t drown out a softness, an unmistakable truly-cares-about-others quality which she has bequeathed her sons.

The youngest brother notes one of her returns and rejoins an easy, joking conversation in English. He’s well adjusted and relaxed. Once, on a long drive, his father was lecturing him on morals. Noting that his son was tuning him out, the father angrily inserted, “Listen, you can ignore me all you want when you’re 18. For now you have to listen to me.” The youngest son pointed out that he was, in fact, 18. “Well, ignore me then,” the father allowed, so the son did. A year later, during a disagreement over dinner at which there was beer, the father shouted, “First of all, you shouldn’t even be drinking yet, you’re not 18.” “I’m 19, dad.” “Don’t contradict me!”

Now, the youngest son estimates that, if asked, his dad will give his age as “16, nearly 17.” He holds no grudges, seems to almost enjoy the humor of the tale. None of the sons resent their father – he gave them everything they have and, besides, he’s their father.

The father is a ruthless business man; a ruthless man even, subject more to his own notions of honor and ritual than to any logical progression. He finishes the huge meal which will eventually cost him three-fourths of what he pays for rent and leans back, surveying his full family. He is fat and happy.

[Buy yer ma an e-card. Maybe don’t get her Shut Up I Am Dreaming if she’s not into the Rock Music, but grab a copy or two for yourself. Keep in mind, however, that Spencer Krug’s mom likes the Rock Music and is therefore probably cooler than your mom.]

This is how we do it!

Written by

The title to be sung a little something like this. “I’m kind of buzzed and it’s all because… this is how we do it!”

Will you please explain…

Written by

The Beatles – Come Together

I smell the hot and sticky petrichor this morning, one in which you are most certainly in love, Sir. There are whispers of reciprocation in the same air and that is surely a splendid thing. It sates my hope for legitimacy.

Or has dulled the tease of a stronger story. I’m unsure.

Sir, do you smell that same air or is yours of a fresher make? Mine is a beauty I envision. I wonder if yours is a famous painting. I hope it brings you slender ease to know you’re in on this trick. It must make the walk and the uniting cameras uncomplicated. We’re going to critique how you look at her. I hope you won’t mind. How do the apples of your garden taste? I bet they taste sweet with a hint of ironic bitter. I bet they taste better than ours and our paltry lot.

In the offing, they salute you. They come together and pay for your garden with such ease – they and their modern day offering. Sir, your garden is splendid. It is made of the many working hards now clapping.

“Come together right now over me.”

[Give it up for the…]

I wanna do right by you

Written by

Jimmy Eat World – Get It Faster

They rode.

First by jeep. The 24-year-old girl they’d commissioned to act as guide piloted the machine, heading out into the endless Mongolian desert. There were no roads. Just directions. The guide seemed to know which direction would end up somewhere.

With no landmarks, no hills, no foliage, they could see the gers, like mini habitable silos, for hours before they eventually came close enough to get out. Just miles (or was it kilometers, G. thought, or does it even matter when measurements mean nothing and the numbers are infinite?) of watching the ger get slightly bigger on the horizon.

Don’t knock. That’s rude. Just pop your head in the little flap, smile, and give a little wave. The family will already have begun tea for you.

On the third day they came across a van. The front axle had broken, the windshield shattered, front end sunk low into the sand like a bad overbite. Wordlessly they pulled out a blanket. Everyone placed what food and drink they had out on the blanket and began the picnic. Dried goat from a jar, rancid mare’s milk, some tea. R. offered a bottle of vodka from his backpack and faces lit up. It was high noon.

They drove one of the stranded van’s passengers to the nearest hut, where a motorbike carried him to a city.

R. and G. and the guide – they rode.

At the last ger of the day, a 14-year-old boy and his 17-year-old sister lived alone. Well, as alone as you can be with 2,000 sheep and hundreds of horses. Horses outnumber humans 13-1 in Mongolia. The father had taken the mother to the city’s hospital, and the boy and girl herded alone. No matter, they’d begun the tea.

In the tent pitched next to the teenagers’ ger R. and G. laid down. G. felt his thigh under the covers. It had been a while. “C’mon,” she said.
He rolled over.
“Tomorrow,” he murmured, “we ride.”

On horseback this time. The jeep could not handle the mountain ranges.

Up and through and over and down they galloped and clopped and stumbled and lurched. For two days. The summer desert warmth gave way to a chill.

“Can we stop?” G. asked. “I want to put on my jacket.”
“No,” said the guide. Then, thinking about it, “No.”

Through valleys and around mountains and toward an isolated people hardly anyone in the civilized world had ever met, only a few dozen remaining. Mongolia’s drop in total fertility rate is the steepest out of any country in the world.

“Can we stop now?” G. asked, shivering in her short-sleeved shirt.
“No,” said the guide. Then, thinking, “Okay.” She handed G. the bottle of vodka without dismounting. “Drink.” G. took a swig.

“Now,” the guide said, putting the bottle back in her pack, “we ride.”

[Bleed Mongolian.]

Look beneath the floorboards

Written by

Sufjan Stevens – John Wayne Gacy, Jr.

In a passing conversation about Sufjan, my friend compared his music to a clumsy dinner: the salad is dripping with vinegar, it runs into the mashed potatoes and the chunks of beef, their marinade so appetising on their lonesome, are soaked dry and rough, hardened. It is a good dinner, a fulfilling one, but there is too much going on. It’s hard to know what you like and what you don’t.

In “John Wayne Gacy, Jr.” Sufjan gets it right. It is simple. Is the twinkling piano even manned, is there somebody there, their fingers deftly moved by wrists? Are they thinking? “His father was a drinker,” Sufjan begins, “and his mother cried in bed.” Is this happening in a vacuum? John, far removed from the perils of adulthood, of aging, slips on the swing and it hangs, like a judge’s gavel in the air, still-framed, ready to come down.

When Sufjan’s falsetto, scratching at the floor with the soft wraiths of piano heard rattling against the window, cries, oh my God, are you crying?

[Buy Illinoise.]