Archive for the ‘Tunes’ Category

You’re wrong to think you’ll never escape it

Written by


Lou Reed & John Cale
Smalltown

Andrew was born into this world a year before Marlon Brando would begin school. Three years later he would be joined by James Dean.  He did not date boys as pretty as these or girls as plentiful as these two men finally would. Andrew wasn’t aware just yet, but at least he’d one day compete with these men for the minds of you and I. “One day I’ll be a superstar or work in a junkyard.”

Sometimes, as a boy, he would pray to his Superstar. Not on his knees, but in bed, wide-eyed. Andrew would ask not for change, but to change. However, later on, as an older boy, he would ask Jesus to join the party. Jesus was never photographed at these events, but Andrew felt he had arrived at one or two. “The advantage of an open invitation.”

In his teens he would hide pornographic images of men beneath his mattress. Occasionally he’d pray to Jesus, “I sometimes like who I am. I don’t want to be caught. Be my lookout. Thanks. In the name of the Father…”

Andrew would be a father of none, but a creator of many. It’s hard to know whether this was enough for him. Those entertainers on the stage were his. That splash of thought on canvas and the magnetic fascination of certain film would be his. All alive by the demand of his dancing hands. As a boy his hands would dance in secret. A peek behind closed doors and people would not have understood. At least now he had found men and women who responded to his contortion of fingers. He prayed for these men and women. He prayed that he may find them outside his home and town. “I see stars. I see colours. Jesus, help me beyond these gates and give me dancers.”

And Jesus did.

[Buy Songs For Drella.]

Immutable

Written by

Joanna NewsomOn A Good Day

“If I saw Younger Me, I’d kick him straight in the balls,” he said.

She giggled, fingering the circular cardboard cover on her coffee cup.

“Seriously,” he said sternly. “If I saw a younger version of myself out there” – he pointed out the glass panes that made up the front of the coffee shop at the swirling snow on the sidewalk, where a couple huddled together, leaning into the wind, as they hurried by – “I’d march on out there and kick him in the testicles.

“I have so much to teach him, but he wouldn’t listen a jot. He was a little rascal.”

She’d had first dates that went worse.

After the movie, she declined coming up to his apartment for coffee (“We just had some”) and trudged home, hands pushed deep into the pockets of her pea coat.

What if I could tell my younger self something? she thought, sitting up in bed with the comforter up to her waist. Just share one secret. One lesson I’ve learned that could help me get through it all again just a bit better.

She bit the end of the pen, wondering. As she put the pad of paper down and reached over to switch the lamp on her nightstand off, she paused. Hand outstretched, she thought. Suddenly she picked up her notebook again, and started writing.

Our nature does not change by will
In the winter, ’round the ruined mill
The creek is lying, flat and still
It is water though it’s frozen

She looked at what she’d written and re-read it several times.

Then she snapped off the light and pulled the beige comforter up to her chin. The wind sputtered tiny chunks of ice and snow against her window outside.

[Buy Have One On Me.]

What this generation needs is a war.

Written by

Yves Klein BlueAbout The Future

“He sounds like a garbling turkey.”

“How do you know that?”

“What do you mean?”

“I mean, how do you know that he sounds like a garbling turkey?”

“Well… because I listened to the song.”

“But you live in Australia, man. There aren’t any turkeys here. You don’t know what a fucking turkey sounds like.”

“I’ve seen them on TV.”

“That’s all sound editing, man. They don’t use an actual turkey. They rub cellophane together and sticky-tape four cats to a rabbit to get that sound. There’s no turkey in the studio. There never was a turkey in the studio. Nothing.”

“Bullshit, man. That’s ridiculous. How would that make a garbling turkey sound?”

“I don’t know, man. It just does. I saw it on TV.”

[Buy Ragged & Ecstatic.]

(Photo taken from Joelzilla’s Photolog of a Sydney Kid. Check that out for yourself when you’ve got the time. It’s the kind of Sydney I’m familiar with.)

I’ve got a tucked white shirt with black buttons

Written by

Billie Holiday & Lester YoungMean To Me

“Whenever somebody is near, it must be great fun to be mean to me. “

I have secrets aplenty, but you’ll understand that I have very few to share. That said, for almost a month now I have thought a thought, one I would like to finally expose to you.

There are songs in the world that spark a desire for improvement in oneself. This is not hard to imagine. Upon listening to a piece of such exception an ear may be turned and interest may pique. This has happened to you and to us all. A voice of astounding artistry may compel longing for refinement in your very own. A lyricist of such striking lucidity will have us scrambling for the worn pencil lacking a nib and the notepad that has yet to be purchased and may never be. These moments, these sounds, although rare, exist and so does the song that promotes the desire for dance.

We must however – before ridicule and scorn become today’s theme – make a slight but salient distinction; almost all songs can produce a foot tap, a nod and a sway of hips, but it’s the song that incites the desire to perfect the art of the shimmy and the jive that is the rarest of all beasts’. I do not wish to replicate a Wallace and Vega moment. There is no awkward silence to veil with barefoot dance. This is the very secret I wish to share. For almost a month now I have dreamt a dream… of waltz.

Like a child beginning his list, I want to waltz with the girl.

I want the dance they would surely have danced had older film dared to allow their lovers to touch in their most private of homes – the hallways where love’s never been. I want God to give us just three minutes of Her and our time in black and white. I want the click and clack of heels on wood to tease the air with the threat to eclipse the crackle of vinyl song. I want white walls flush with quivering candle light. I want smiles that last and muscle that fail to strain. I want bodies’ tight, thigh to thigh, but fluid movement. I want shutters as windows with street noise augmented on opening. I want to see death to the rigidity of waltz – for sight over shoulders to cease and make way for a waltz of fervent admirers.

Yet to all of this, the details of a voyeur, I would be oblivious – because she was there.

She would be there and dancing.

And I want it all to this song and this song only.

“(Whenever somebody is near it must be great fun to be mean to me.) You shouldn’t for can’t you see what you mean to me?”

[Buy A Musical Romance.]

“Blue eyes, let me turn a stone.”

Written by

SeekaeWool (feat. Ivan Vizintih)

The air was brisk, and Jon was tired. His shoulders slumped under the weight of his sagging backpack.

The dusty off-yellow backpack clung to his woolly emerald-green sweater, both belonging to his once smaller, now larger cousin.

The grey sky, it was still and never swayed. The walkway was quiet, with only the murmur of Jon’s weary shoes scuffing the silence.

The thirty-eight stones he counted on the way were each in place, except for two he thought looked disturbed. He prodded at them, pushing, poking, but they refused to sit wise. They’re not looking at me right.

He led himself down the stairs, hopping two at a time. The railings looked rusty but he slid his hands along them anyway, felt the pinpricks scratching at his fleshy pink palms.

And his backpack’s insides clanked and clattered.

And the canal was lined with trees, trees of bark stained ochre and leaves begging green. The canal’s walls were only cracked graffiti and the turn seventeen steps ahead swore injury. It swore terribly, in a barroom slur saved for stumbling drunks who have keys to locks they shouldn’t have.

The leaves aren’t rustling. Leaves are supposed to rustle and shake and twirl. They’re supposed to fall, but fall well. Float.

And in that withered town’s intestines he sat, and crossed his legs. In his pocket, his Walkman sat waiting. He ran his fingers along the buttons. The pause button was jammed, from this one time he’d spilt Coca-Cola on it and made a terrible mess, and didn’t know the proper way to clean it and couldn’t ask his mother because she had already fallen asleep.

He pressed down on it, felt it resist.

A moment passed where Jon didn’t do a thing but watch the leaves sit dead, until he pressed play. When he did that, they rustled. And he pressed down on pause, pressed hard. They stopped. And he pressed play again, calculating.

They rustled.

And he played and paused and played and paused, and caught his unblinking eyes and pressed them down too, watery though they were, and pressed play once more.

Jon watched the trees convulse and the leaves tear away from their branches, and flitter against the grey sky unbridled. And he didn’t close his mouth in case the wind stopped beating against his tongue. This was exciting.

A bluebird, its nest flung from a branch, twisted in the masses of leaves snapping at its squawking beak. Their razor edges tore at its feathered breast. Jon noticed. Jon’s eyes bulged from his weeping sockets.

Open-palmed, he beckoned to it. Bluebird, baby. Trust me. He called again. Bluebird! Come here!

But the beaten bluebird couldn’t hear him, not through the chorus, spread thick like syrup on breakfast toast.

Jon knew what to do then. He pressed pause, pressed hard.

In his open-palm lay the battered bluebird: beak bent brutally to the left, feathers clotting with a velvet crust.

And his backpack’s insides weren’t clanking and clattering. The trees were static with the air of an afternoon dust, and the two stones sat questionably up the stairs, down the path, and out of place.

[Buy The Sound Of Trees Falling On People.]

Like her lipstick on your lips

Written by

The HorrorsSea Within a Sea

We begin at zero and end at seven minutes and fifty-five seconds. This will be our journey time.

Durability not one of your strong suits? A shared complaint, undoubtedly, but you may be assured that song’s end shall be reached, if all you do is try. Come take the trek and “see the scraping sky.” To accompany you on your journey across this motley soundscape, one of pulsing land and blurred contours spitting glitter, will be a travelling package awash with sound.

This is what was found.

The original surge of our march is along the back of the murmuring bass line, dancing at the feet of the tormenting voice (a crooner, it shall eventually become), playfully predicting its next surge or fall and forever backed by a spry track of drumming so taut and exquisite it allows for an unforeseen wriggle free from the fetter of timekeeping. Wafting in the background throughout are the distant and distressed howls of guitar, black clouds lacking the temptation of linings. Guiding us through this terrain are pervading bursts of plush synth wrapping friendly arms around its cousin of synthesised dance pulsations. The dance floor cavorts beneath our very feet, so we won’t have to.

It is deliciously kaleidoscopic.

However, this sound is confusing. It’s exceptionally hypnotic and almost too aurally pleasing to deny yourself the joy of tormenting it with air thrown words like pop or catchy, yet its only true failing, if this can be classified as such, is its impracticality as a pop song – it just isn’t one, certainly not in shape – and so radio has spurned sound once again in favour of shape. The ear of the pop-savvy listener has been savagely denied a chorus.

Allow us to curse the very day.

Still, as the dissolving synth soars and dips and dives like a young bird adoring flight, taking the rarest of moments to bask in their newest sphere of confidence, the sound is finally swallowed whole by a falling sun. The minutes do come to a precipitous end. Fluttering keyboards providing the sounds of life with veins engorged and then one absolute slice and its final beat is had. The minutes, as many as there may be, are not minutes enough. This sound is a long trek so gloriously short-lived.

“So you might say the path we share is one of danger and of fear, until the end.”

This is the Horrors. This is Sea Within a Sea.

[Buy Sea Within a Sea.]

“Your sons have dipped into the ground.”

Written by

Swan LakeWarlock Psychologist

Billy learned that he could fly in 4th grade. Not like in an airplane or a helicopter or anything like that, but the way kids want to fly and can’t: by flapping his arms.

At first it was a sheepish attempt. He was in the back yard. When playing with Roger Ruff, the black lab, he remembered the cartoon Peter Pan and how the dog in that movie flew. In his excitement, he flapped his arms.

His feet lifted a few inches off the ground.

Billy looked at Ruff Roger in astonishment. Did you see that Roger? Roger barked. Roger didn’t know anything.

The next day, Billy waited until his mother went to the hair salon before going out back again. This time he used the trampoline, launching high in the air and flapping. Again, it worked. At first he just sort of hovered in the air and fell back down more slowly than usual, his feet squirming the entire time. Soon he figured out how to push the air back down with his cupped hands and could rise and fall in the air as he pleased.

He hovered above Roger like a hummingbird, touching Roger’s black nose with his  toes as the dog jumped up and barked at him. All the while he flapped his skinny arms, hands cupped. After landing on the fence on the other side of his yard, wobbling for lack of balance, he soared over to the roof. Dad hadn’t put the shingles on straight, he saw.

As his mother tucked him into bed that night, he snuggled into the comforter with a sneaky grin on his face. His arms were exhausted, like the cherry jello he had after dinner, but it was a wholly pleasing exhaustion. It wasn’t long before he drifted off to sleep to dream about soaring over the continents. In his dream, he looked down and saw his mother and Roger playing in the house thousands of miles beneath him. He envied their free delight as he exerted himself to stay afloat.

Soon Billy flew farther and farther from his house. He would visit the town next to his, Burrien. By the weekend he had glimpsed Indiana.

When he landed from that trip, Roger was waiting for him, barking. He knelt down and scratched Roger’s ears. “I’d take you with me if I could. I really would. But right now, I’ve got to explore by myself. I’ll teach you as soon as I know how, I promise.”

With that, he pushed off again and began flapping. He wondered if Ohio looked any different from the air.

[Buy Enemy Mine.]